There is a noise in the distance, and a faint
glow. Someone calls out, “it’s coming,
it’s coming.”
Pretty soon, the noise becomes a surge of shouts, mingled
with laughter and the sound of fireworks.
Then you see it:
a small, black bull shooting fireworks in all directions, running down
the street then turning and heading towards the crowd, then running down the
street again. Most people clear the way
in front of it, but a few hardy souls, mostly young men, stand their ground or run
along with it, trying to get closer, trying to touch it without letting the
fireworks touch them.
This is a great example, accompanied by a musical track. It takes place at the end of summer in Arroyomolinos in Leon (in Spain) to honor the Virgin de los Remedios. There are five separate bulls.
As the bull gets closer, you see it has only two legs,
legs that look suspiciously like they belong to a human being. And indeed, that is what it is: the metal frame of a bull, with all kinds of
fireworks attached to it, held up by a man running down the street.
This is the “toro de fuego,” the “fire-bull,” that you
find in both Spain and Latin America to help celebrate certain saint’s days and
other special occasions.
This one takes place in Igualala (Spain) in a central plaza, so brightly
lit you hardly know it’s night.
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The author of this article, Eve A. Ma, is a filmmaker whose work includes documentaries about world music and dance, including Afro-Peruvian and Mexican. She speaks Spanish, has spent much time in Spain, and has visited several Latin American countries. Her web site is www.PalominoPro.com. To keep up with her work, sign up for her newsletter HERE
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The author of this article, Eve A. Ma, is a filmmaker whose work includes documentaries about world music and dance, including Afro-Peruvian and Mexican. She speaks Spanish, has spent much time in Spain, and has visited several Latin American countries. Her web site is www.PalominoPro.com. To keep up with her work, sign up for her newsletter HERE